Interview With Jeff Nagata Kyoshi (Part 2)

On April 1 2008, I published the first part of this interview with Jeff Nagata Kyoshi of the IOSSKA. It was meant to be the teaser to the full interview on a newsletter I had planned to publish. But as the Newsletter plan was shelved to various reasons, I am now publishing the second part of the interview. I hope it can be a guide to all karate students, no matter from what Ryu-Ha.
To read the first part of the interview [ click here ].
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(L-R) Jeff Nagata Kyoshi, Zenpo Shimabukuro Hanshi & Warren Berto Renshi

Question : What makes a good instructor?

Answer : In my opinion, a good instructor is one who listens well, and teaches with a passion to instruct students in the techniques and philosophy of Seibukan karate-do and life’s lessons. The teacher must be knowledgeable of what they teach, but not with egotism and a lack of compassion and understanding. A Seibukan sensei is committed to maintaining the excellence of his art, his personal physical fitness and mental training, and be an example to all practitioners of Seibukan karate-do and other martial arts.

Question : What is Zenpo Shimabukuro Hanshi like?

Answer : As in the comments I stated in the question “What makes a good instructor?”, these attributes I have found in Hanshi Zenpo Shimabukuro, and more. He is a great man and a great sensei. I have trained under this great man for many years, and each time, I learn something new, something to energize me to train harder and learn more. He is a gentle giant amongst us, yet has powerful techniques with bursts of speed and accuracy in delivery of his techniques. These are reasons why he will be my only sensei through all my lifetime.

Question : What can you say what karate means to you?

Answer : Karate-do means many things to me, but primarily it gives me a path to follow in my life. It means having patience, to be understanding, disciplined in areas of my life, finding ways to apply my training in a positive way, but with the knowledge that my training also has a physical and potentially destructive element within it. The ability to use karate techniques for self defense purposes. This is where discipline of ones passions and temperament are very important.

Question : What are your technical interests at this point in your training?

Answer : To maintain good technique and fitness in my body, and practicing the bunkai applications. This can only be done by practicing my basics and kata, and involving both mental and physical conditioning and focus. To not train is to lose technique.

Question : What is your opinion of sport karate today?

Answer : In my early days of studying and teaching Seibukan, I was actively involved in sport karate tournaments. After a while it became apparent that sport karate required one to change their technique to score points. This was a deviation away from what the bunkai of our techniques was. Once rules are no longer controlling the battle, martial artists can be reduced to a more primitive form of fighting, to survive, not to score points. So, at my point in my life, karate-do is a way of life, not a way of sport. I do enjoy watching sport karate matches, and admire the skills of the performers, but reality is what it is in the streets where no rules exist.

Question : Who was your biggest influence in your martial arts training?

Answer : I have to admit that in the beginning, and what made me interested in karate and gung-fu, was Bruce Lee. As I grew in Seibukan and began training under Hanshi Shimabukuro, the image changed. So, my biggest influence for many years has always been Hanshi Zenpo Shimabukuro.

Question : What are the major points in attaining high-quality kata?

Answer : Practice, practice and more practice of the moves in the kata, over and over again. But with a purpose. Be precise, and emulate the kata performance and precision of those who influence you the most. If all students tried to look like Hanshi Shimabukuro in their movements and show of strength in execution of technique, I truly believe they would achieve higher quality of kata performance. Also, applying the basics of kihon renshu and zenshin kotai to the appropriate kata techniques will help improve the quality.

Question : What are the good and bad sides of competition?

Answer : The good side of competition, especially for the younger students, is to add that element of personal competition, which is in all human beings. It also can help a student achieve more self confidence from entering into a controlled environment of competition, personal kata performance and against a kumite opponent.

The bad side would be if one concentrated their training regiment and changed their techniques into a competition favorable form, to score points, win matches and trophies, then I believe you stray away from the true study of a martial art. This takes away from learning the traditional techniques of the art, and traditional techniques and philosophy is what makes Seibukan a unique system of karate-do.

Question : How has martial arts changed in the last 30 years?

Answer : Politically, yes, we have seen some changes, which is unfortunate. Some students traveled off into different and wrong paths in their martial arts careers, and are no longer with us. Some try to claim lineage or direct training with the Shimabukuro family. Some feel they are entitled to start their own organizations under the guise that they are sanctioned or at one point were associated the Shimabukuro family. This type of activity is not supported or recognized by the IOSSKA and Hanshi Zenpo Shimabukuro as legitimate. Its human nature and involves ego, and again, very unfortunate.

Seibukan, as a karate system, its techniques and kata moves, has not change much at all over the last 30 years. I know this because I have been a student of Seibukan for 37 years. What is exciting is that most of the techniques we practice and perform were done by the greats, like Chotoku Kyan and Zenryo Shimabukuro. Very exciting to know this fact.

Question : Is there a particular message you want to share with your students or karateka in general?

Answer : All karateka must follow their hearts. Change is a normal process in life. Some things we cannot control, some things we can. What we can control is where Seibukan can bring value to, like family and business interactions, personal goals, dealing with our fears, etc. For the events in our lives that we cannot control, the discipline of our minds and bodies helps us deal with difficult situations. If one believes in Karma, then here to I believe training in Seibukan can help us make good choices, not bad ones. Lastly, honor Seibukan and the Shimabukuro family for what they have brought all of us in our study of karate-do. Honor your family, your elders, and know the difference between what is right and wrong.

Question : In summary, what is next for you?

Answer : To continue to honor Hanshi Zenpo Shimabukuro and his family, and train in Seibukan until my last breath. Even though a person may not throw a punch, execute a kick, practice a kata, if you are a karateka, your experience and training will always be with you, in your mind and body.

To read the first part of the interview [ click here ].

News From Okinawa

from www.seibukan.org

The four major Karate Organizations in Okinawa have unified under the newly formed Okinawa Dento Karate-do Shinkokai. Hanshi Shimabukuro has been named as one of the Board of Directors representing the Okinawa Karate-do Rengokai in this organization. There are six Board of Directors from each of the four major Karate Organizations sitting on the board. The purpose of this new organization is to promote Traditional Okinawan Karate-Do.

Interview With Jeff Nagata Kyoshi

Jeffrey A. Nagata is a senior Seibukan instructor (7th Dan Black Belt Kyoshi) currently residing and instructing in Portland, Oregon, USA. Married with 4 children, Nagata Kyoshi, along with Jamal Measara Kyoshi and Warren Berto Renshi, is one of the members of the Senior Board of Directors of IOSSKA (Director for International Relations). Recently, Nagata Kyoshi agreed to answer some question from Seibukan Melaka instructor, Azlimmi Himzal for the upcoming OSS!! newsletter. The newletter should be ready in mid April. Here are excerps from the interview to whet your appetite….

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Question : Was karate your first martial arts?

Answer : My first encounter with the martial arts was with Judo. Being of Japanese heritage, I was obliged and mandated to take Judo at a very young age. I ended my Judo career at the age of 15 years, then pursued Seibukan Karate-do at the age of 16 years. I now have a total of 37 years in Seibukan.

Question : Why Seibukan all these years?

Answer : In the beginning, Seibukan karate offered something that was very different than other martial arts in the area of the country I grew up in. It offered full contact fighting using kendo type of bogu protection. This was very inviting to me during my early years in karate training. But, as I started to learn more about the ways of Seibukan karate-do, and to finally meet and train under the great master, Hanshi Zenpo Shimabukuro, I knew that I found a life long martial arts to train and teach in. Through the diligent practice of Kata, and applying the principals of bunkai, centering and concentration of oneself during the execution of kata and karate techniques, I discovered what Seibukan is as a martial art.

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(L-R) Jeff Nagata Kyoshi, Zenpo Shimabukuro Hanshi & Warren Berto Renshi

Question : What do you feel sets Seibukan apart from other karate styles?

Answer : Seibukan, in my mind, is set apart from other karate styles by several reasons. First is its purity in lineage. There is very little deviation in the lineage tree of Seibukan. Direct from Grandmaster Chotoku Kyan to Master Zenryo Shimabukuro to his son, Hanshi Zenpo Shimabukuro. We are very fortunate that we have such a pure lineage line in our style of karate.

Secondly, is the consistency in our training methods and philosophy of how Seibukan students must train. From Kihon Renshu to Zenshin Kotai, to Ippon Kumite, we are all practicing the same basics with the same intensity in our training efforts. Some karate systems develop unique training standards among different dojos. When you come to a Seibukan seminar or dojo, no matter what country you go to, we all practice the same techniques and basics. Our techniques are not designed to be used solely in tournament combat, or to apply our training to only self defense fighting. We practice to build character, bring mind and body together in unison, to exercise what we learn in our real lives, and become an honorable person, trustworthy, compassionate, a person of strong character.

Lastly is all the students and sensei that are involved in Seibukan. We are all like brothers and sisters. Many of us have known each other for many years, some for a very short amount of time, but we all are in the Seibukan family. It is rare indeed to find such a close group of friends in karate-do in such a large world we live in.

Seibukan Grading 1/2008 Results

Najwa Farhana Norman vs Hani Nadirah Norman
Batrisyia Iman Himzal vs Aiman Nabil Adiee
The grading conducted last Saturday was a success. The following students are promoted to the following rank:
6th Kyu (Blue Belt)
1. Nuqman Haziq b. Zulfikar Zikri
2. Hadira Dania Himzal
3. Batrisyia Iman Himzal
7th Kyu (Green Belt)
1. Muhd. Khaleed b. Airil Razlan
2. Muhd. Adam Danish Himzal
3. Najwa Farhana bt. Norman
4. Hani Nadirah bt. Norman
8th Kyu (Orange)
1. Aiman Nabil b. Adiee
2. Muhd. Umar Firdhaus b. Airil Razlan
9th Kyu (Yellow)
1. Sydney Ng
10th Kyu (White with Yellow Stripe)
1. Muhd. Aqifth Aiman
2. Muhd. Ariff b. Jaafar
Nuqman Haziq also received an award as the Outstanding Student of the Year 2007. Special Mention to Nuqman Haziq, Hadira Dania, Batrisyia Iman, Muhd. Khaleed and Sidney Ng for double promotions!! The Seibukan Melaka Technical Commitee congratulates all students on their success.

Seibukan Grading 1/2008

The first grading of the year will be held this Saturday (29th March 2008) at the Seiken Dojo. Below are the itenerary for the day.

 

2.00 p.m Kambukai (Technical Directorate) Meeting

4.00 p.m. Grading Course, led by Azlimmi Sensei

5.00 p.m. Grading, presided by Pathmanathan Sensei

7.00 p.m. Grading Adjourned

 

Pre-grading training will be held everyday till grading day at 7.30 p.m. to 9.00 p.m., replacing normal classes. All enquiries can be directed to Azlimmi Sensei through e-mail or you can contact him at +6.01.2.606.7454

8th March Update

As we are aware, the 12th General Election will be held on the 8th of March 2008. As such the grading planned on that day will be postponed (Again!!…. my apologies) to a later date. As Jim Sensei will be returning to Kuala Lumpur to cast his vote in the morning, the 9 a.m. and 11 a.m. classes will be held at 4 p.m.
There will not be any cancellations.
Training on 8th of March, 2008 is at 4 p.m. at the Seiken Dojo.

Seibukan Kata Video

Last Saturday after training with Azri, we got to making some video clips of selected Seibukan katas, namely Fukyugata Ichi, Fukyugata Ni, Seisan, Wansu and Passai. I demonstrated the kata while Azri acted as the cameraman. Thanks a million Azri. The quality of the video recording is excellent, but sadly I cannot say the say for my performance of the katas. There are still a lot of flaws which I seek to improve over the next few months. So please don’t judge me too harshly 🙂 . The videos are mainly done as a reference for my students who wants to train at home… or wherever they have internet access.
Fukyugata Ichi
Fukyugata Ni
Seisan
Wansu
Passai

Keiko Hajime

Today’s training marked the first training of the Year 2008. Training started at 11 a.m. and focused more on kata. Bunkai for the kata Fukyugata Ichi and Heian Shodan were demonstrated and some of the students partnered up to try the bunkai. This training also marked the return of Azri Azmi back to training after his spinal surgery in October. Welcome back Azri!!

Keiko Osame

Just about half an hour ago, we concluded the year’s training with our own Keiko Osame (Last Training Session Of The Year). The keiko started with Jim Sensei leading kihon renshu. The the students ran through the katas that they have learnt. Today’s training was different being that most of the class time was dedicated to understanding the bunkai of Fukyugata Ichi. The students, mostly children from primary school, were eager to learn the finer points of what make the kata a fighting tool. The class was concluded with a Stranger Awareness talk by Jim Sensei and wishing everyone a Happy New Year!

Kata Practice Journal (24/08/07)

As this Sunday I’ll be entering a Kata event in a tournament in Ipoh, I decided to polish up my kata. The organizer specifically requested that the contestants perform Shotokan katas, do there is no dilemma in it for me. I have previously decided on several katas, Jitte, Hangetsu, Wankan, Unsu and Sochin as my main choice, with Bassai-Dai, Kanku-Dai, Enpi and Tekki Shodan as back-up. I wanted to do kata that are not so prominent in tournaments, so relegated Unsu and Sochin (so over popular in kata events) as back-up and fixed on my two favorites Jitte and Hangetsu. Wankan is a secondary choice. It is a short and sweet kata, but do require some technical credibility to perform. Like Jiin, it is often said as the forgotten kata of Shotokan, and in reality, almost extinct in most Shotokan Dojos. The late Nakayama Sensei did not include it in his best selling book series ‘BEST KARATE‘, although it is included in the 26 Shotokan katas. But this is probably due to his untimely death. I have learnt 2 versions on the kata. The first is the Kanazawa version. The Kanazawa version has the two opening moves in neko-ashi-dachi, with a slight step in the first move. The older version, one practiced by JKA, JKS & KWF the said two moves are in kokotsu-dachi. The rest of the kata then proceeds to basicly the same for the rest of the kata. It all comes down to personal preference I guess. Kanazawa Kancho has his katas influenced or rather flavoured by his interest and research in Goju-Ryu, and has Shotokized (my own word) several Goju katas. Personally I liked the older version, so I’ll stick to that one.

 

Wankan was the first kata I practised this morning. I picked up this kata from Naka Sensei in the early 2000’s, and was surprised I remembered all the techniques. The hardest component of Wankan for me is the timing, because it has both fast and slow elements. It is particularly interesting for me because pairing of gedan-sukui-uke and gedan-teisho-uke not found in other Shotokan kata.

 

Jitte or Jutte was the kata I worked on next. Micheal Lim Sensei taught me this kata before he crossed over to Kasuno-Ha. I was a 6th kyu at the time. This kata is said to be the counter-bo kata and has interesting moves such as the one legged-crane stance and the bo-uke (sorry… I forgot the proper names for them). This is a kata that requires it’s performer to have good if not excellent body coordination as it requires a lot of hip twists.

 

Hangetsu is my favorite kata, and one I’m sure to perform at any tournament I’m in. This kata was taught to me by my former instructor, Vince Choo Sensei. I remember that this kata was practiced alongside the Aragaki Seisan kata in my old dojo. This is because hangetsu is derived from the older Seisan kata. Though much shorter than the original Seisan, this kata poses several challenges (for me at least) such as the hangetsu-dachi (a variant of sanchin-dachi). This stance cannot be too wide for it makes movement difficult, and cannot also be too small (sanchin-dachi).

 

I ran through Unsu next a few times. This long kata is a favorite in competitions as it is very pleasant to watch, especially the 360 degree jump. As the tournament I’m going to is a Shotokan tournament, I’m sure I’ll see it perform many times.

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Before finishing up, I practiced Seibukan katas Fukyu Ichi, Fukyu Ni and Passai. My students are grading in 2 weeks time, and I am worried. They are not at their expected level of competence. I shared my worry with my wife, and wondered if it reflects my teaching capability (or lack of). She said that I am too strict in my expectations, and that they are doing just fine. I have 6 students (including my own kids) going for 8th kyu, and they should know their Fukyu Kata Ichi by heart, but still make silly mistakes, wrong stances, etc. Should I just cancel the grading and reschedule? It would not be fair then to some who are ready. I have a few white belts who would shame their seniors by their sheer tenacity in training. I wish everyone of them the best of luck in their grading.

Do, or do not.

“Do, or do not. There is no try.” Three guesses on who said that.

 

Chotoku Kyan? ….. No!!!

 

Funakoshi? ….. NO!!!

 

Zenpo Shimabukuro Sensei?….. NNOO!!

 

Tsk… tsk… That quote comes from the most venerable martial arts masters in the universe…

 

YODA, Master Jedi.

 

Now that I have your attention… let’s get to the point of today’s blab session : identity.

The fact is I’ve been meaning to write this post ever since I came back from training with Pathma Sensei in Kuala Lumpur. But somehow, there are always something that cropped up to stunt my concentration to write. Last nite I promised myself to set aside 15 minute to writing this. Training on Monday night was especially tough for me as my asthma just resurfaced the night before. I was weezing and coughing thru the whole class, but managed to hang on… just. There were about 30 students or so from the regular class, plus yours truly and Karl, Ravi from Seibukan Johor and a prospective convert from TKD (may the force be with him). It started normal enough with the class going through kihon renshu and zenshin kotai. After about an hour, Ravi pulled a muscle while doing ushiro-geri and had to rest. We then started working on our kata. Pathma Sensei made us go thru Fuki Ichi and Fuki Ni, and he was very particular on the movements. Especially to us out of town instructors, who don’t get to train much with him. It was good for me to train these two katas, as these are what most of my students are practising now, so I found out the little things that I did not do right. Pathma Sensei then asked the class whether we wanted to do Seisan… and I was the only one to say yes… I guess the rest was too tired and it was getting rather late. So the class was dismissed. Unsatisfied, I asked Pathma Sensei if he’d mind looking over a shorter kata, Wansu. As I expected, there were many mistakes, and Sensei patiently corrected me. We spent about 20 minutes going thru Wansu before the hall caretaker started to signal “time-up’ by coughing. I was really unsatisfied, because we just got into the kata. Earlier I promised myself that I would try to expand my knowledge of Okinawan, especially Seibukan katas so that when I do demos or enter comps, I would perform Okinawan katas rather than shitei katas. It is especially important to me, as I want to represent the Okinawan karate in my classes thru it’s kata and kihon, simply because I am part of the Okinawan Karate family. There is little or no point for me to claim that I am part of an Okinawan group but still do shitei kata. Not that shitei kata is bad. But I would prefer to do them just for my own practice rather than as the main piece. This struggle inside me to do and differintiate between what is required and what is necessary is ever going…. Do I just toe the party line? Will I be satisfied? Will it be fair to may students? I’m never one to toe the party line, somethimes I just pretend to… but my ever rebellious heart…. ever so rebellious… what am I to do? Kata, is the essence of any karate ryu. So maybe, the answer is, for me to truly say ‘I am Seibukan’ and be Seibukan. As it say in the old testament, I am who I am…. As Yoda said : Do, or do not.

Training Journal : Understanding Kata Variations

When I arrived this morning at my dojo, I quickly realized that I forgot to bring my do-gi. Just have to do my training without them. I wanted to refresh my memories on two kata variations that I picked up at last week’s seminar, Jitte & Bassai-Dai. I started with the shotokan version, going thru the kinks that have been bothering me. After going thru the two kata for about 6 times, I then turned my attention to the Shito-Ryu version. Though similar, ther are several differences that shows what the different Ryu has focused on. Next I worked on my Seisan. I practiced the 3 versions that I know, the Seibukan Seisan, the Shotokan Seisan (Hangetsu) and Aragaki Seisan which I learnt from Vince Morris Sensei some years back.

This morning training has got me thinking about an article I was working on; on the influence on Japanese Karate on Okinawan karate. IMHO, the most glaring influence has been the imposition of ‘standards’. What do I mean by standards? Just look at out karate competitions, especially the kata categories. kata ‘performances’ are dominated by shito-ryu katas. Even in the recent tournament that I went to, students from the Honbu Dojo performed Shito-Ryu katas. I tried to remedy the situation by teaching Dr. Norman to perform the Seibukan Wansu and Passai, while I planned to perform Passai Guwa, Hakkucho and Wansu or Anaku. Worst come to worst I’ll even perform Fukyugata Ichi. As long as perform Okinawan katas, rather than the ‘Shitei Kata’. To me what the point of being in an ‘Okinawan’ outfit if I were to continue doing Japanized kata. I am quiet capable in several Shotokan and Shito-Ryu katas (I might even win gold!), but that is not the point. The judges at the tatami where I’m doing my kata might even disqualify me for doing non-shitei kata, but in my mind, it doesn’t really matter. As long as I get to promote my Okinawan art, for people are watching, and wondering, and asking questions. I have said again and again that I don’t really like going to competitions, but like they say, you have to pay your dues. For me to effectively promote Okinawan Karate-Do, I have to do it, and to do it in open forum so that it’ll get the maximum exposure is to do it it open competitions. I realize, as I run through the different katas, that karate is not meant to be unifor, not like how every Big Mac has to taste the same, not like how every TV produces the same quality picture. It is not package in a factory. Karate has been influenced by people, that has diverse interest, influences and preferences. Hence you have the different Ryus, and even in the same Ryu you have different interpretations, just like Shorin-Ryu has Sukunaihayashi, Matsubayashi, etc. To tell that tale would require more time than I have at the moment.

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I have to go. My baby son, Zachary is crying, he is requesting… no… demanding my time with him. All is not about karate. Life is not about karate, Karate is about life. There is the bigger picture call life. I hope one day he will acquire my passion for it though. Enjoy the video clip below, you know you love Yoda… especially when he’s singing to Louis Armstrong..

 

 

Gambatte Kudasai!!!